Set design done for a food lifestyle magazine Mrvica, issue 22. illustrates the relationship between mother and daughter via ingredients, meals and roles each one plays in different stages of their life.
All props were exclusively made for the shoot and present an path to further exploring the form and function of serving plates. The material used is apple, pear and walnut veneer.
Magazine cover / flip though the mag
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Set design and photos from the article: Mother and daughter.
*CONTINUITY // key associations: tenderness, surface, strength, home
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*SUPPORT // key associations: cooperation, trust, togetherness
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*PROCESS // key associations: transformation in time, development, structure, exposure
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*MESURE // key associations: time orientation
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*SEQUENCE // key associations: growing up stages of life
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*GENTIC & FRIENDSHIP BOND // key associations: interweaving, genetic code, similar matrix, gesture, interval
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Presentation moodboards for the Chief editor
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Design Sketches
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Photos: Nikola Zelmanović
Cooking: Biserka Šarkanj Bronić
Chief Editor: Željka Klemenčić, Mrvica
Ceramics: Lidia Boševski, Alissa + Nienke, Ikea
Sadržajno, izložba prezentira niz scenarija koji predviđaju specifične situacije u životima građana tehnološki razvijenih gradova budućnosti koji su prezentirani u formi video priče i / ili artefakta. Elemente postava čine simplificirani nogari, kubusi i panoi praktični za sastavljanje, rastavljanje i transport, čime je dizajnerski rješen putujući predznak pojedinog ili grupe radova ove izložbe.
online exhibition catalogue
CoAuthors — Manufakturist design band (Mia Bogovac, Matea Bronić, Maša Milovac & Kristina Volf)
BEHIDE emphasizes the process of undressing and concealing and enables laying clothes aside. Although it does not fully protect from view of busybodies, with its presence, it separates the space and becomes an item that creates a space of intimacy. 
Za projekt sam postavila strategiju identiteta i koncept temeljem kojih su realizirani svi predloženi elementi vizualnog identiteta, projekt interijera koji uključuje izvedbeno rješenje kroz elemente produkt dizajna projektirane za interijer, te signalistiku unutar i u neposrednoj blizini restorana.
Kroz realizaciju projekta interijera (300 m2) kreativno i organizacijski je koordiniran tim dizajnera i podizvođača investitora.
Vizualni identitet: Matea Bronić, Zoran Đukić, Jan Pavlović
Interijer: Matea Bronić, Maša Milovac, Kristina Volf
Web: Tin Kadoić / Brlog
3D Visualization
Co-Authors:
Mia Bogovac (product design)
Dora Đurkesac (product design)
Maša Milovac (product design)
Kristina Volf (product design)
Set design and photos from the article: Mother and daughter.
*CONTINUITY // key associations: tenderness, surface, strength, home
*SUPPORT // key associations: cooperation, trust, togetherness
*PROCESS // key associations: transformation in time, development, structure, exposure
*MESURE // key associations: time orientation
*SEQUENCE // key associations: growing up stages of life
*GENTIC & FRIENDSHIP BOND // key associations: interweaving, genetic code, similar matrix, gesture, interval
Presentation moodboards for the Chief editor
Design Sketches
Photos: Nikola Zelmanović
Cooking: Biserka Šarkanj Bronić
Chief Editor: Željka Klemenčić, Mrvica
Ceramics: Lidia Boševski, Alissa + Nienke, Ikea
Dizajn inspiriran legendama i pričama o Zelinskom kraju zasnovan je na portretima vila i vilenjaka Ivanjskih šuma i livada koji vladaju “Kraljevinom Zelinom".
Ovi imaginarni dvorjani prirode, nošeni povjetarcem i okrunjeni poljskim cvijećem koje raste uz vinograde Zelinskih vinara prenose nam mirisni intuitivni svijet, te lakoću bivanja u duhu s prirodom.
Tehnika akvarela odabrana je da što bliže dočara vilinski lepršavi svijet dok su krune isprepletene realističnim prikazima poljskog cvijeće i bilja. Ilustracije su spoj zbilje i imagninacije koje se stapaju u trenutku kušanja vina "Kraljevina Zelina".
Autorice etiketa "Kraljevina Zelina" — Matea Bronić i Kristina Volf
Fotografija — Nikola Zelmanović
Head copy — agencija Utorak
Interieur
Kodiranje primarnim bojama, upotreba antibakterijskih površina.
Prostorna dispozicija
Za interijer restorana projektirani su stolovi koji dolaze u tri izvedenice — mali (za dvoje ljudi) veliki (za četvero ljudi) te visoki barski stol.
Rasvjeta: grid downlightera i kompozicija od 6 Mooi lustera.
Pod: keramika
Stolice:
Interior details
Exterior, detalji prednje fasade
Ilustracije su napravljene u skaldu sa uspostavljenim grafičkim kodom vizualnog identiteta subjekta.
Exterior details
/ Visual identity /
Logotip is derived from visually reduced marker pen trait with a florescent orange color code.
/ Interieur design approach — back to basic /
Basic elements of a caffe interior design are highlighted by stripping them of superfluous meanings trough a usage of raw materials and an inspiration from both humanistic and technical filed of study. Each interior element has been specially designed for caffes interieur so that it would reflect the general concept.
Elements of interieur:
— Floor
The main concept carrier of caffe Marker is, metaphorically and literally, the floor, which wittily translates original student notes from both universities into a classically laid parquet. A PVC label is applied on an epoxy flor. Student notes were borrowed, scanned and than arranged in a pattern that mimics a conventional stacked wooden parquet thus reflecting a humanistic note.
— Coat hanger
Technical approach is reflected trough designing the coat hanger by applying a simple mechanical principle of pulleys for lifting the clothing. The clothes are easy accessible tho the consumer solving the lack of space problem.
— Sitting unit
Pentagonal industrial felt pillows are easy to rearrange because of velcro application on the wall and on the back side of the pillows thus combining both humanistic and technical characteristics. Felt is used because it reflects the feeling of warmth and is used as an insulation material in industrial plants.
— Tables and Chairs
Tables and Chairs are designed to maximize space.
Made of aluminum knits they perfectly reflect the technical approach in interieur.
Interieur Details
Terrace, front view
Plane
/ Functional interior disposition /
NOINarchitects d.o.o.
/ Visual identity and name /
Matea Bronić, Zoran Đukić, Jan Pavlović
/ Interior design /
Matea Bronić, Maša Milovac, Kristina Volf
/ Project manager /
Matea Bronić
Probojem plohe papira asocijativnim su putem prizvani pojmovi: praznina / gubitak / agresija. Upotrebom kolorističkog koda proizašlog iz tradicionalnog etno izričaja, uspostavljena je veza sa lokalnim identitetom. Purpurna nit simbolizira strpljenje i povjerenje, plava nadu i dobro zdravlje, a žuta svijetlo i čistoću. Tropletom simbola nade prikazan je nepokolebljiv duh Sarajlija čime se šalje poruka ljubavi — ♡, jedinstva — ◯ i napredka — △.
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Punching the paper surface calls by association the terms void / loss / aggression. The coloristic code origins in traditional ethno draperies thus establishing a relation to local identity. Purple thread symbolises patience and trust, blue — hope and wellbeing, yellow — light and pureness. Faith Symbol is visualised trough a tree-knit braid which shows the indestructible spirit of the people of Sarajevo, sending a message of love — ♡, unity — ◯ and progress — △.
Suggested as an emerging designer by Izvorka Jurić.
concept & design — Matea Bronić, text — Vanja Blumenšajn, photo — TiTo
